I went to see the wonderful “Coded Nature” exhibition from StudioDrift at the Stedelijk Museum. The image above is one of their ShyLights. They dance above your head and as they float down they open up like a flower, the movement is gentle and mesmerising. The perfect thing to do on a Sunday afternoon
Here’s what the room full of ShyLights looks like. Everyone stays in this room for ages, watching the lights glow and dance, their faces filled with wonder. Everyone gives into the temptation to lie on the floor and watch the lights from below, and it’s amazing – until the vigilant museum stuff come in and ask you to move. Apparently the light on the floor is part of the exhibition and by lying on the floor we are ruining it for others. IMHO the one ruining it for others was the grumpy museum guy.
The title of the exhibition is Coded Nature and there’s one piece that seems to be a commentary on our destruction of the earth, it’s a long film showing floating concrete blocks drifting through the air forming large structures until nature is obliterated. And in the next room is one of the concrete blocks – a drifter – floating, un-suspended in a huge room.
I’ve followed Studio Drift’s Instagram account for a long time, and I’ve been fascinated by the “fragile futures” sculptures. So it was really cool to see an installation of fragile futures, be able to walk around it and get up close to the tiny dandelion lights that make up the sculpture.
The exhibition filled me with wonder, it’s that intersection of art and science, it’s beautiful and kinetic and well worth visiting. I might be back next weekend.
The exhibition is on until the 26 August, and it’s free for museum card holders, or €17.50.
Every summer the Rijksmuseum garden turns into a sculpture exhibit. This year the works are by Jean Dubuffet and from the Stedelijk Museum’s collection. The sculptures are bold, colourful, playful perfect for summer. Here are my two favourites from the gardens this year.
Arbre Biplan (version III)
“Tree Biplane”, this is the first large scale sculpture he made and he was still experimenting with the epoxy materials to find ways to make large scale sculpture. I walked around this several times, because there’s no symmetry the view changes, I love the contrast of the random shape of the sculpture against the formal architecture of the museum.
Le Deviseur I (The Chatterer)
He looks like he’s ready to chat, but there’s also something throne like about his chair. This is a sculpture I would love to have – in the fantasy garden of my fantasy mansion.
The exhibition is in the gardens until the 1 October 2017. There are also daily workshops for kids in a marquee in the garden (probably in Dutch, but hey it’s a craft project kids can figure out instructions). If you want to see more Dubuffet Stedelijk Museum is also exhibiting paintings from its collection (until 24 Sept).
The Rijksmuseum is filled with animals at the moment! They’re on loan from the Naturalis Biodiversity Center in Leiden and they’re accompanying an exhibition of works by Frans Post, sketches and paintings made during his time in Brazil. In many cases the exhibition displays a stuffed version of the animal next to the sketch. You can see the precision of Post’s work. Here’s the Capybara, positioned under an oil painting view that includes a capybara.
The exhibition is on until 7 January – so hurry up!
In the main entrance hall there are animals from other places to admire – including a pair of polar bears looking down on you.
Keeping cool at Museumplein thanks to the fire brigade who turned the pond outside the Rijksmuseum into a water feature. Only one word for it… “superleuk”.
The jet of water heading towards me
The Rijksmuseum, taken from the pond
Causing a rainbow
Jetting the water high in the air gave everyone a shower
Fireman targetting the visitors in the pond
Dining with the Tsars is the current exhibition at the Hermitage Amsterdam, it’s a small exhibition of some of the beautiful dining sets used at the Russian court, with a lot of information about court practices, etiquette and menus. Perfect for a relaxing afternoon visit.
The dish shown above is from the “Cameo Service“, which was commissioned by Catherine the Great and presented to her lover Prince Grigory Potemkin. It’s beautiful, the astonishing turquoise colour is created by using multiple firings with a copper glaze. To make the set Sèvres had to find new manufacturing techniques.
The museum has, as usual, done a magnificent job creating the exhibition. The main hall has a series of tables set as if for dinner, each setting is slightly different, and you are able to get very close to the tables. The smaller rooms upstairs have information about the manufacturing, the dress, dining protocols and history. There are also a couple of additional services, including one given by Hungary to Stalin. Contrary to my expectations of a communist leader, Stalin entertained lavishly and used the service.
The exhibition is open until 1 March 2015, and it’s 15 euro entrance fee (or free if you use your Museumkaart).
The Rijksmuseum designed by Cuypers was built as a “gate” to Amsterdam, as it stands just outside the line of the 18th Century city walls. It balances the Central Station, at the other end of the city, and also designed by Cuypers. It houses some of the most important artifacts of Dutch history and the famous of Dutch art, including the Night Watch. Here’s a view of it showing the gate structure at its centre, the Night Watch is displayed directly over the arch.
The Night Watch went back into it’s former position when the Rijksmuseum was re-opened – one of the few works not to be moved.
It’s considered the most famous painting by Dutch people, it has such cultural significance that it has its own escape hatch at the museum. A guide told me that there’s a trap door just in front of the painting, and the painting can be dropped to safety. The black section here is apparently the outside part of the trapdoor.
The trapdoor wasn’t installed for the renovation though, it was installed in the early 1930’s, and used in 1939 to removed the Night Watch before the art-acquisitive Nazis arrived. The painting spent the war in hiding, as did a number of artworks from the Rijksmuseum. The museum could re-open following the war with an almost intact collection.
Minds out of the gutter – it’s an exhibition at the Stedelijk Museum.
It’s a selection of works from the personal collection of Martijn and Jeannette Sanders, who started collecting in the 70’s. Because it’s a personal connection, built on personal appreciation of works rather than curated to an imposed standard, it’s rather quirky. They discuss their collection in a short interview taken in their own home.
The exhibition includes paintings, mixed media, installations, video, sculpture and photography. It’s some of the “new greats” in art, and worth seeing. The exhibition is on until 9 November 2014, you can buy tickets on the museum’s website.
This was part of a series of sculptures, all antomically twisted.
A different view of Italy
I found this suprisingly hard to read.
My favourite piece, it’s high on the wall, looking down on you.
This just glows, would love to go to sleep and wake up with this.